![]() Fellini's camera often accents this by cutting straight into these segments as if they are films that Guido himself is watching unfold. Going even further, certain elements of Guido's subjective experience like memory and dream operate similarly to a film, as images that project and incite feelings and desires. The concept of a film within a film is central to 8 1/2, since Guido's character and the film he's trying to make serve as a kind of proxy for Fellini's own experience trying to make the film that we are watching. ![]() In short, white and black often represent the complex relation of good and evil, purity and chaos. ![]() Indeed, Guido himself always wears a black-and-white suit, a symbol of his internal friction between good and evil. This represents the sliver of humanity and purity that he finds in her despite the church's denunciation of her as the devil. Seraghina likewise wears a white scarf in her hair the second time Guido visits her at the beach. Claudia, for example, always wears all white when she appears in Guido's dreams, yet when we meet her in the flesh later in the film, she wears all black, symbolizing the frustration of Guido's unrealistic notion of the ideal woman. Even as the entire film is shot in black-and-white, Fellini uses the colors of pure black and pure white carefully.
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